Following the appendix are a number of photographs from the 19th and early 20th centuries, with brief captions.
The meaning of the markers is explained in the captions for figures 12, 13 and 14.
The nine plates (all but one same size) have informative captions.
The images are important for their placement within publications and the ways in which they are edited or juxtaposed with captions and text.
In these captions, the bilingual and bicultural competence of the reader is taken for granted.
The meaning of the markers is explained in the captions for figures 16, and 17.
They would have benefited greatly both from explanations beyond the briefly worded captions and from a clearer sense of how they related to tướng one another.
Close reading of these images' captions, however, reveals their divergence, and leads us to tướng question popular reception of visual texts.
The book is excellently illustrated ; but to tướng make room for captions the pages have wastefully wide outer margins.
Furthermore, the addition of poetic captions coincides with the appearance of a pictorial vocabulary learned from painting and calligraphy.
However, the captions coordinate perfectly with their corresponding pictures.
Including a text over the images is a common technique, even in movies, where there are captions and graphic animations.
Each band has two horizontal registers of pictorial imagery, which are occasionally captioned with brief epigraphs that identify the scenes.
Almost all of the captions were noun phrases.
After seeding the rules from these examples, a collection of queries and relevance judgements against captions was used to tướng find cases which were missed.
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